F043 / PSALTERIUM BUDENSE s. 15/16, 1 incomplete bifolio, 1 complete leaf, Budapest, Library and Information Centre of the Hungarian Academy of Sciences, Department of Manuscripts and Rare Books, K 480

Basic Data

Numerus
F043
Genre
Psalterium
Date
s. 15/16
Archives / Library / Collection
Budapest, Library and Information Centre of the Hungarian Academy of Sciences, Department of Manuscripts and Rare Books
Shelfmark
K 480 (olim K 296)
Material
parchment
Extent
1 incomplete bifolio (I), 1 complete leaf (II)
Number of columns
1
Number of lines
3 lines with text and music, 12 lines with text (I 1recto), 6 lines with text and music, 3 lines with text (I 1verso), 7 lines with text and music, 1 line with text (which is the text part of the uppermost line with text and music, I 2recto), 5 lines with text and music, 7 lines with text (I 2verso); 6 lines with text and music, 6 lines with text (IIrecto), 5 lines with text and music, 9 lines with text (IIverso)
Script
gothica rotunda
Musical notation
Messine-German-Hungarian Gothic notation
Musical notation/remarks
4-line staves with lines traced in red, C- and F-clef, pipe-shaped custos
Content
Hymni in festivitatibus S. Stephani, S. Ioannis, Ss. Innocentuum et Epiphaniae, lectiones et responsoria officii defunctorum
Origin
Hungary
Bibliography/References
Szendrei Janka, A magyar középkor hangjegyes forrásai. Budapest [Notated sources of the Hungarian Middle Ages], HAS, Institute for Musicology, 1981, F 43, cf. C7; eadem, „A Budai Psalterium (Esztergom, Főszékesegyházi Könyvtár) töredékei a Magyar Tudományos Akadémia Könyvtárában” [Fragments of the Psalterium Budense, Esztergom, Cathedral Library, in the Library of the Hungarian Academy of Sciences], Magyar Könyvszemle 86 (1972): 87; Szoliva Gábriel OFM, „Utólagos bejegyzések a Budai pszaltériumban” [Later addenda in the Psalterium Budense]. Magyar Egyházzene 21 (2013/2014): 11–20.

Analytical Description

Both fragments come from the corpus of the Psalterium Budense (Cathedral Library of Esztergom, Ms. I.3b), and they came into the possession of the Library of the HAS as part of the heritage of Nándor Knauz. Both fragments were identified by Janka Szendrei; first she determined their inherence with the Psalterium Budense kept in Esztergom as a short catalogue entry (1981), later she presented a detailed description of the fragment with allocating the provenance of the manuscript in a separate article (1986).

The hymnary fragment K 480.I preserved pieces of a bifolio’s two leaves: it contains parts of the hymns of saints tempore Nativitatis, and the hymn of Epiphany’s vespers. The quondam bifolio was the innermost element of a quire, hence the content is continuous on the inner pages of the fragment beside the crease. Along with the identical hands and notation, the fragment shows other characteristics of the Psalterium Budense’s hymnary: in the case of certain hymns (Stephano primo martyri, De Patre Verbum prodiens, Hostis Herodes impie) only the first strophe is notated, while the piece for the Holy Innocents (Salvete flores martyrum) has music written above the entire text. In the case of the latter hymn its irregular text justifies this practice. Some strophes contain lines with odd syllables, thus the notation greatly supports the clear application of the melody. The hymnary preserved in the mother codex is edited in the same manner. It is clear from the above, that the Psalterium Budense was made for practical use, though its impressive look could also imply a representative purpose.

The choice of certain melodies of the hymns stayed unchanged in the subsequent Esztergom use, see the psalter of Miklós Oláh (München, Bayerische Staatsbibliothek, Res/2 Liturg. 380, fol. 110v–112r, 125v; edited as: Psalterium Strigoniense Venetiis 1523 (Psalterium Nicolai Olahi), ed. Gábriel Szoliva, Musicalia Danubiana 25, Bavarica et Hungarica 2. Budapest: HAS, Research Centre for the Humanities, Institute for Musicology, 2015).

Folio II, which contains the Office of the Dead’s matins (lections and responsories), is complete. Its text precisely complements the text of the mother codex, which is broken on its former 129th (now 36th) folio’s verso, as Szendrei wrote in her detailed analysis. Similarly, the mother codex’s former 131st (now 38th) folio’s recto unfailingly continues the fragment’s verso.

Gábriel Szoliva

Content

RISM Folio Tempus Dies Hora Genre Incipit Mode Cantus ID Mel. Num.
H-Ba K 480 (olim K 296) I_1_r Nativitas Stephanus m. V H Stephano primo martyri* 1 008395 Hy-043
H-Ba K 480 (olim K 296) I_1_r Nativitas Ioannes ap. V H De Patre Verbum prodiens* 1 830095 Hy-044
H-Ba K 480 (olim K 296) I_1_v Nativitas Innocentes martyres V H Salvete flores martyrum* 8 008389 Hy-045
H-Ba K 480 (olim K 296) I_2_r Nativitas Innocentes martyres V H Salvete flores martyrum* (cont.) 8 008389 Hy-045
H-Ba K 480 (olim K 296) I_2_v Nativitas Innocentes martyres V H Salvete flores martyrum* (cont.) 8 008389 Hy-045
H-Ba K 480 (olim K 296) I_2_v Epiphania Epiphania V H Hostis Herodes impie* 3 008248 Hy-013
H-Ba K 480 (olim K 296) I_2_v Purificatio BMV V H Quod chorus vatum* 2 008378 Hy-047
H-Ba K 480 (olim K 296) II_r Pro Defunctis N Lc [Quare de vulva… non] revertar ad...
H-Ba K 480 (olim K 296) II_r Pro Defunctis N R Loquar in amaritudine 2 604977
H-Ba K 480 (olim K 296) II_r Pro Defunctis N V1 Qui quasi putredo
H-Ba K 480 (olim K 296) II_r Pro Defunctis N V2 Requiem aeternam
H-Ba K 480 (olim K 296) II_r Pro Defunctis N Lc Ne des alienis honorem
H-Ba K 480 (olim K 296) II_v Pro Defunctis N R Credo quod Redemptor meus vivit 8 006348
H-Ba K 480 (olim K 296) II_v Pro Defunctis N V1 Quem visurus sum ego
H-Ba K 480 (olim K 296) II_v Pro Defunctis N Lc Melius est nomen bonum