Basic Data

Numerus
F761
Genre
Antiphonale
Date
s. 14/15
Archives / Library / Collection
Budapest, University Library, Manuscript and Rare Books Collection
Shelfmark
Fr. l. m. 220
Material
parchment
Extent
1 incomplete leaf, detached
Page height
252 mm (incomplete)
Page width
190 mm (incomplete)
Written height
206 mm (incomplete)
Written width
126 mm (incomplete)
Number of columns
1
Number of lines
5 lines with text and music
Script
gothica textualis
Musical notation
Messine-German Gothic notation
Musical notation/remarks
4-line staves with lines traced in red, C-clef, custos
Host volume / author, title
Aloysii Jugleris Nicensis: Christus Jesus hoc est, Dei hominis elogia. s. l. 1652.
Host volume / shelfmark
A 61
Owners
„Residentiae Societatis Jesu Szakolcensis 1978” – „Residentia Szakolczensis Cathalogo inscriptus Anno 1702”
Content
Corporis Christi
Bibliography/References
Mezey László, Fragmenta latina codicum in Bibliotheca Universitatis Budapestiensis, Fragmenta Codicum in Bibliothecis Hungariae, I/1, Budapest, Akadémiai Kiadó, 1983, 188.

Images

Analytical Description

In this fragment segments of the Office of Corpus Christi were preserved. On the recto the responsory Ego sum panis vitae with its verse (Ego sum panis vivus) is legible. This responsory was part of the uncommon office Sapientia aedificavit, preserved only in a few sources throughout Europe, among others, in the appendix of the 13th century notated Esztergom Breviary (Praha, Library of the Royal Canonry of Premonstratensians at Strahov, DE I 7. Ed. Janka Szendrei, Beviarium notatum Strigoniense saeculi XIII, Musicalia Danubiana 17, Budapest, HAS, Institute for Musicology, 1998). However, it is not certain, that the original codex, from which this fragment derives, included the entire Sapientia aedificavit cycle, since in some sources its responsories were mixed with the chants of the widespread Sacerdos in aeternum office of Corpus Christi. We assume that the original manuscript contained this latter office, and that the uncommon responsory was placed in it only as a foreign body, presumably in the last nocturn. This theory is supported by the rubric on the verso, which lists the regular antiphons of the Sacerdos in aeternum with their psalms (Introibo, Cibavit, Ex altari tuo). Considering its text (…omnia ut in festo eiusdem) the rubric assigned the chants for the Octave of the feast. For the two Corpus Christi Offices see Anna Sanda, „»Sapientia aedificavit«: Phasen der Entstehung des Offiziums und der Kodifikation eines spätmittelalterlichen Festes, Zenetudományi Dolgozatok 2015 – 2016, In memoriam Kiss Gábor, red. Gabriella Gilányi and Gábor Kiss (Budapest: HAS Research Centre for the Humanities, Institute for Musicology, 2018), 61–85.

Gabriella Gilányi, Zsuzsa Czagány

Content

RISM Folio Tempus Dies Hora Genre Incipit Mode Cantus ID Mel. Num.
H-Bu Fr. l. m. 220 recto Corpus Christi N R Ego sum panis vitae patres* 7 600739
H-Bu Fr. l. m. 220 recto Corpus Christi N V Ego sum panis vivus qui de caelo* 7 600739a
H-Bu Fr. l. m. 220 verso octava (?) Corporis Christi N a1 Introibo ad altare 2022624 Ant-7207
H-Bu Fr. l. m. 220 verso octava (?) Corporis Christi N a2 Cibavit nos* 8 200786 Ant-8521
H-Bu Fr. l. m. 220 verso octava (?) Corporis Christi N a3 Ex altari tuo* 6 201674 Ant-6129